Thursday, August 23, 2007
Imaginary Souvenirs
Mixed media installation
2006
Ceramic flocked pigeons (Souvenirs of the larger souvenir pigeons)
Post cards
Archival inkjet prints
40 Felt Pigeons: Hand-processed raw wool from a local farm, Squeeze activated voice recorders, Fragments of recorded audio from neighborhood interviews
40 Snow Globe Pigeons: Individually crafted plastic forms, water, photographic prints, artificial snow
Half of the life-sized pigeons were originally shown in the Mills College Museum. The rest were released closer to where they originated: both inside and outisde of the fence surrounding the Mills campus in Oakland, CA. All the birds left outside had tags inviting people to take them home and send me an image or story about where they end up.
Green Room
Mixed media installation
2007
Green Room is a naturally absurd space. Sedimentary layering has moved beyond the traditional landscape to encase only the objects of an office interior. The daily norm has been interrupted to become more natural and strange.
The artificial layering of sediment alludes to the natural deposition of earth over time. The result is an opportunity for a contemporary archeology. Green Room simultaneously reflects nature and architecture. It is a controlled version of something uncontrollable.
The room was broadcast to the internet via webcam. As the show progressed, plant life emerged and clay dried and cracked off, revealing the actual and still functioning objects beneath.
This project was a long time in the making. After years of imagining a piece like this, the perfect opportunity presented itself: I was given the chance to work with artist Liz Worthy in a gallery connected to a ceramic studio.
(photos by Johnna Arnold)
2007
Green Room is a naturally absurd space. Sedimentary layering has moved beyond the traditional landscape to encase only the objects of an office interior. The daily norm has been interrupted to become more natural and strange.
The artificial layering of sediment alludes to the natural deposition of earth over time. The result is an opportunity for a contemporary archeology. Green Room simultaneously reflects nature and architecture. It is a controlled version of something uncontrollable.
The room was broadcast to the internet via webcam. As the show progressed, plant life emerged and clay dried and cracked off, revealing the actual and still functioning objects beneath.
This project was a long time in the making. After years of imagining a piece like this, the perfect opportunity presented itself: I was given the chance to work with artist Liz Worthy in a gallery connected to a ceramic studio.
(photos by Johnna Arnold)
All Sides of a Sphere
12 Archival Prints
18" x 18" each
Sol LeWitt provided directions to shoot a sphere. The result was a minimal and beautiful collection of shadows, light, and form. It was also sterile. Taking the very same directions (lit from above, four sides and all their combinations), I have made this geometric form speak something entirely different. In my execution of his words, the sphere is no a longer clean or confined idea. The surface is literally disrupted by something real and very much alive. I mean to question purity of form and authorship.
18" x 18" each
Sol LeWitt provided directions to shoot a sphere. The result was a minimal and beautiful collection of shadows, light, and form. It was also sterile. Taking the very same directions (lit from above, four sides and all their combinations), I have made this geometric form speak something entirely different. In my execution of his words, the sphere is no a longer clean or confined idea. The surface is literally disrupted by something real and very much alive. I mean to question purity of form and authorship.
Foot print of a boa constrictor digesting an elephant Cozy
Lichen, Moss, etc.
Bamboo, Amapola
2006-2007
Usually our weight and shadow would keep anything from growing under our feet. Footprints become a marker of what was once there. Instead of demonstrating an absence, I wanted to make the footprint itself more alive. The print or shadow of a previous form creates something new, and just as compelling as what was there before.
Bamboo, Amapola
2006-2007
Usually our weight and shadow would keep anything from growing under our feet. Footprints become a marker of what was once there. Instead of demonstrating an absence, I wanted to make the footprint itself more alive. The print or shadow of a previous form creates something new, and just as compelling as what was there before.
Boa constrictor digesting an elephant Cozy
Ceramic, Wood
2006-2007
A cozy covers the surface. Its shape gives an idea of the object beneath. I am focusing on the decoration, divorced from the thing that it covers. All you are left wtih is surface and memories of a form.
2006-2007
A cozy covers the surface. Its shape gives an idea of the object beneath. I am focusing on the decoration, divorced from the thing that it covers. All you are left wtih is surface and memories of a form.
Planetary specimens
Plexiglass, Lichen, Moss, etc.
1" x 1" x .5"
2006-2007
36 objects in and outside of Little Tree gallery
and placed around the neighborhood
These are allusions to souvenirs, Petri dishes, and small natural and unnatural surprises
I wanted to break down the divide between inside and outside, natural and artificial. These transparent peepholes growing moss and lichen permeate windows and mirrors. They were installed on both sides of the gallery window and glass door above and below eye level. They extended beyond the gallery to neighboring storefronts and mirrored walls.
1" x 1" x .5"
2006-2007
36 objects in and outside of Little Tree gallery
and placed around the neighborhood
These are allusions to souvenirs, Petri dishes, and small natural and unnatural surprises
I wanted to break down the divide between inside and outside, natural and artificial. These transparent peepholes growing moss and lichen permeate windows and mirrors. They were installed on both sides of the gallery window and glass door above and below eye level. They extended beyond the gallery to neighboring storefronts and mirrored walls.
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